Hannah works within a multi-disciplinary practice focusing on contemporary print-making and sculpture. She follows organic themes and explores the processes of archiving and preservation. Hannah works with alternative materials and found objects to explore links between casting and print.
Most recently Hannah created an installation at Newcastle University that responded to predator//prey balance through large scale sculptures, resin casts and laser cut wall pieces.
Much of Hannah’s work is highly relevant to and inspired by her surroundings. She splits her time between London, Newcastle and Wensleydale.